Hemispheric Institute of Performance and Politics at New York University, call for emerging performers, deadline Feb. 20

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EMERGENYC 2012
HEMISPHERIC NEW YORK EMERGING PERFORMERS PROGRAM
CALL FOR APPLICATIONS

DEADLINE: Monday, February 20, 2012 (5PM)

The Hemispheric Institute of Performance and Politics at New York University
is now accepting applications for its fourth year of EMERGENYC, the
Hemispheric New York Emerging Performers Program focused on “artivist”
(artist/activist) performance. EMERGENYC aims to support the development of
“hemispheric” artists through a program of workshops and events between
April 28 and July 14, 2012 (see “The Program” section below for details). We
seek talented, committed and highly motivated young
performers/activists/artists whose work functions as a vehicle for political
expression and social change, and who examine the broad range of identities,
practices and histories of the Americas (the western hemisphere, thus
“hemispheric”) through genres such as spoken word, street performance,
political cabaret, performance art, video performance, movement, and others.

Why Hemispheric New York?
New York City is a space of transformation in which expressive practices
from throughout the Americas come into contact and combine into new artistic
forms. The constant encounters and collisions of African-, Native-, Asian-,
Latino- and European- American cultures that define the City, combined with
the multiple political and counter-cultural movements that have flourished
on its streets, are a key source of the artistic and activist innovation
that has long characterized New York City. Experimental performance, hip-hop
and salsa are powerful examples of the hemispheric fusions that the City’s
neighborhoods have incubated. Subversive media interventions, such as those
created by the Yes Men, artistic interventions such as the Guerilla Girls
and Fulana’s If You Fear Something, You’ll See Something poster campaign are
examples of the innovative conjunction of art and political protest. Drawing
on this vitality, the program will enable young activists/performers to work
with leading practitioners in the field, to take interdisciplinary leaps,
and to develop their own strategies to use performance for social change.

The Program
Between April and June, the selected participants will take part in weekly
workshops led by George Emilio Sánchez as well as by invited artists such as
Susana Cook, FF Alumn, Fulana, Pamela Sneed, FF Alumn, Peggy Shaw (Split
Britches) FF Alumns, Andy Bichlbaum of The Yes Men, Dan Fishback, FF Alumn,
Daniel Alexander Jones, Patricia Hoffbauer, FF Alumn, and others. This year
will also include a teach-in on Performance (“PerforWHAT?”) led by
Hemispheric Institute Founding Director and NYU University Professor Diana
Taylor. (We are in conversations with other artists and activists for
workshops/artist talks—check emergenyc.org for updates). We ask applicants
to define social issues that are important to them and to find a bridge to
communities around those issues. Past participants have explored themes of
racism, racial stereotypes, and racial violence; LGBTQ rights; war and human
rights; gender and sexuality; religion; and gentrification, among others.
They have created performance pieces around these issues, interviewed
members of various communities, and led workshops in community programs
(such as GLOBE/Make the Road New York), etc.
The program will be divided into three phases. Phase 1: every Saturday
10am-2pm from April 28th to May 26th, participants work closely with George
Emilio Sánchez in developing performance and activist strategies, such as
Boalian techniques, performance art and site-specific interventions. Phase
2: intensive daily sessions (10am-5pm) from May 27th- June 3rd, participants
work closely with leading activists, artists and scholars, and explore
specific tactics for work in the field (street performance, interviewing,
videotaping, seeing other people’s work, etc.). Phase 3: Saturdays June 9th
July 14thparticipants refine their work for a final presentation, building
on the strategies explored through the workshops. Performance presentations
(evening of June 26th): participants will share their strategies,
performances, and experiences in a public forum.
Please refer to a past Schedule of Events to get an idea of the daily
breakdown.
This program has a fee of $1000. Some financial aid will be available on a
need basis, so don’t let money concerns stop you from applying. If your
enrollment depends on financial aid, please let us know in your application.

Who Is Eligible
EMERGENYC is now open to emerging activists/artists/performers who live in
(or can easily commute to) New York City. Applicants must have prior
experience in activism and/or various performance genres. The program
welcomes applications from individuals enrolled in the City’s colleges and
universities AND from those who are not currently pursuing formal higher
education.

How to Apply
Please send the following materials to hemi.newyork@nyu.edu no later than
Monday, February 20th 2012 at 5PM:

• EMERGENYC 2012 Application
• A biographical statement (maximum 500 words) that tells us about who you
are, where you are from, your performance background and your current
projects.
• A statement of purpose (maximum 750 words) describing the reasons you want
to participate in EMERGENYC. Please also describe the specific issues you
would want to address through the program and any preliminary ideas about
the communities where you would ground this work.
• Your resume or CV.
• 2 letters of recommendation, which your recommenders must send directly to
hemi.newyork@nyu.edu
• Optional, highly recommended: Samples of your work
• Optional: A paragraph explaining your request for financial aid. Selected
participants will be notified the week of March 5th; registration payment
will be due March 22nd; and program activities will begin on Saturday, April
28th.

EMERGENYC 2012 is supported by funds from the Rockefeller Foundation's
Cultural Innovation Fund.

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